An integrated approach to the study of Ri de pomme, a painting by Julian Schnabel

The painting Ri de Pomme (1988) by American artist Julian Schnabel was recently subjected to an extensive and disputed restoration with polyvinyl acetate (PVAc) paints. To characterize and locate on the painting the materials used in the original and in the repainted areas, we employed several spectroscopic and chromatographic techniques. Fibre Optics Reflectance Spectroscopy (FORS), Micro-Raman, Pyrolysis-Gas Chromatography/Mass Spectrometry (Py- GC/MS) and Gas Chromatography/Mass Spectrometry (GC/MS) were used. The original and restoration paint layers were differentiated by a preliminary FORS survey. The pigments were studied with Micro-Raman and the oil binder was characterized by GC/MS. Moreover, the support of the painting, a weathered tarpaulin, was characterized by Py-GC/MS.