The authors of this additional e-chapter offer a critical survey of the main approaches to musical performance developed over the last few decades. After a general introduction to the concept of performance, part 1 (by Marco Lutzu) offers a historical overview of the study of musical performance in ethnomusicology in the twentieth and twenty-first centuries. Part 2 (by Alessandro Cecchi) moves from a list of recent international projects on musical performance and goes on to present the "music as performance" paradigm in (historical) musicology, and the approaches of artistic or performance-led research. Part 2 continues by presenting three interdisciplinary research strands: the study of musical performance in and through the media, the perspective of cognitive science and neuroscience, the perspectives of music therapy, music psychology and disability studies.

Interdisciplinary perspectives on musical performance: Historical and recent research

Cecchi, Alessandro;
2020-01-01

Abstract

The authors of this additional e-chapter offer a critical survey of the main approaches to musical performance developed over the last few decades. After a general introduction to the concept of performance, part 1 (by Marco Lutzu) offers a historical overview of the study of musical performance in ethnomusicology in the twentieth and twenty-first centuries. Part 2 (by Alessandro Cecchi) moves from a list of recent international projects on musical performance and goes on to present the "music as performance" paradigm in (historical) musicology, and the approaches of artistic or performance-led research. Part 2 continues by presenting three interdisciplinary research strands: the study of musical performance in and through the media, the perspective of cognitive science and neuroscience, the perspectives of music therapy, music psychology and disability studies.
2020
Cecchi, Alessandro; Lutzu, Marco
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11568/1047430
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