Between 1715 and 1724, the Andalusian painter Antonio Palomino de Castro y Velasco (1655 -1726) wrote the four parts of El Museo Pictórico y Escala Óptica, a work of great importance for the understanding of Spanish Baroque painting. The third part of the work, the best known and that had a greater diffusion, collects the biographies of Spanish and foreign artists active in the Iberian peninsula from 1500 to 1714. This contribution addresses the anecdotes of El Parnaso español as attributable to the topos of the divine creator, declined in multiple ways and connected with other traditional models that originate from it.
Gli aneddoti di artista ne "El Parnaso español, pintoresco y laureado" di Antonio Palomino de Castro y Velasco
Elena Carpi
2020-01-01
Abstract
Between 1715 and 1724, the Andalusian painter Antonio Palomino de Castro y Velasco (1655 -1726) wrote the four parts of El Museo Pictórico y Escala Óptica, a work of great importance for the understanding of Spanish Baroque painting. The third part of the work, the best known and that had a greater diffusion, collects the biographies of Spanish and foreign artists active in the Iberian peninsula from 1500 to 1714. This contribution addresses the anecdotes of El Parnaso español as attributable to the topos of the divine creator, declined in multiple ways and connected with other traditional models that originate from it.File | Dimensione | Formato | |
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