In this article, my aim is to compare the treatment of melancholy in Beckett’s Endgame with Benjamin’s theses on the nature of the tragic. This allows me to evaluate to what extent Endgame can be seen as an allegory, to depict the emergence of melancholy in a tragic context, and to discuss the role that the laughter linked to the figure of Democritus plays in the modern drama.

La melancolia messa in scena. Finale di partita di Beckett e le tesi sul tragico di Benjamin

MANCA D
2018-01-01

Abstract

In this article, my aim is to compare the treatment of melancholy in Beckett’s Endgame with Benjamin’s theses on the nature of the tragic. This allows me to evaluate to what extent Endgame can be seen as an allegory, to depict the emergence of melancholy in a tragic context, and to discuss the role that the laughter linked to the figure of Democritus plays in the modern drama.
2018
Manca, D
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11568/1059477
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