From the 1920s to the end of the Second World War, in Europe but especially in France, schol-ars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, Sar-tre, Camus together with Jouvet, Pitoeff, Baty, Dullin and Barsacq passed through the Greek myth as a privileged formto explain the con-temporary world crossed by crisis and uncer-tainties
Il tragico quotidiano. La “revanche du mythe” nel teatro francese tra le due guerre
Eva Marinai
2021-01-01
Abstract
From the 1920s to the end of the Second World War, in Europe but especially in France, schol-ars, playwrights and directors increasingly paid attention to classical theatre, to the Tragic. Cocteau, Giraudoux, Gide, Anouilh, Sar-tre, Camus together with Jouvet, Pitoeff, Baty, Dullin and Barsacq passed through the Greek myth as a privileged formto explain the con-temporary world crossed by crisis and uncer-taintiesFile in questo prodotto:
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