In this essay, the author wants to put in evidence the figure of the monster into the novel Les Miserables by Victor Hugo. First of all, it is shown how the Grotesque’s category is utilized by Hugo to describe his characters. In this part, it’s clear the link between Victor Hugo’s Aesthetics and Karl Rosenkranz’s idea of Ugly. Then, it is underlined how the Ugly is one of the main themes of this book. This paper wants to show how the monster is more present here than in other works by the French author.

I Miserabili e il trionfo delle opposizioni: il mostro inaspettato

Tortoli, Caterina
2022-01-01

Abstract

In this essay, the author wants to put in evidence the figure of the monster into the novel Les Miserables by Victor Hugo. First of all, it is shown how the Grotesque’s category is utilized by Hugo to describe his characters. In this part, it’s clear the link between Victor Hugo’s Aesthetics and Karl Rosenkranz’s idea of Ugly. Then, it is underlined how the Ugly is one of the main themes of this book. This paper wants to show how the monster is more present here than in other works by the French author.
2022
Tortoli, Caterina
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11568/1211267
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus 0
  • ???jsp.display-item.citation.isi??? ND
social impact