This contribution is focused on the famous and interesting drama written by the playwright Matei Visniec and especially on the peculiarities of the communist psychiatric clinics. By the means of anthropology, this contribution hopes to shed a light on the hidden movements that concerns the management of these institutions, and on how the patients/prisoners were able to resist to some of the most disturbing hardships that were common in that period and in those places. This analysis has been conducted scene by scene, and presents therefore some in depth personal observations, accompanied by studies of great solidity directly regarding the drama but also analysing the general situation (like, for instance, some essays of Michel Foucault and Erving Goffman) that allow a bird-eye observation of the anthropological dynamics on stage. The analysis may as well result in new ways of though on this piece and maybe even in some interesting debates, although the drama itself is not so recent. The primary goal is to demonstrate how the primigenial vein of the Absurd, present in Visniec, has become much more bounded to history itself, and to stress out the strong ethicality of the drama.

VIȘNIEC’S "HISTORY OF COMMUNISM": THE “PSYCHOPATHOLOGY” AND THE POLITICAL “TRAUMA” IN SOCIALIST HETEROTOPIES AND ATOPIES

GIORGI, Edoardo
2023-01-01

Abstract

This contribution is focused on the famous and interesting drama written by the playwright Matei Visniec and especially on the peculiarities of the communist psychiatric clinics. By the means of anthropology, this contribution hopes to shed a light on the hidden movements that concerns the management of these institutions, and on how the patients/prisoners were able to resist to some of the most disturbing hardships that were common in that period and in those places. This analysis has been conducted scene by scene, and presents therefore some in depth personal observations, accompanied by studies of great solidity directly regarding the drama but also analysing the general situation (like, for instance, some essays of Michel Foucault and Erving Goffman) that allow a bird-eye observation of the anthropological dynamics on stage. The analysis may as well result in new ways of though on this piece and maybe even in some interesting debates, although the drama itself is not so recent. The primary goal is to demonstrate how the primigenial vein of the Absurd, present in Visniec, has become much more bounded to history itself, and to stress out the strong ethicality of the drama.
2023
Giorgi, Edoardo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11568/1304031
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