Opera in Music Between Literary Studies and Musicology. Methodological Reflections in Dialogue with a Recent Book by an Italianist – Starting from a recent book by Roberto Gigliucci, the article reflects on the relationship between literary studies, historical musicology, and musicology oriented towards a dialogue with performance studies and media studies. The ambiguity of the concept ‘parola intonata’ (intoned word), at the core of the book’s title, leads to the proposal of a rethinking of the relationship between text, performance and media in the field of opera studies. On that basis, the article responds to the interdisciplinary dialogue established by Gigliucci in his book, hypothesizing musicological integrations to his analyses and the hermeneutic proposals.
Partendo da un recente libro di Roberto Gigliucci, l’articolo riflette sui rapporti tra studi letterari, musicologia storica, e musicologia orientata al dialogo con i performance studies e i media studies. L’ambiguità del concetto di ‘parola intonata’, al centro del titolo del libro, conduce alla proposta di un ripensamento teorico del rapporto fra testo, performance e media nel campo degli studi operistici. Su questa base, l’articolo risponde all’apertura al dialogo interdisciplinare offerta da Gigliucci nel libro ipotizzando integrazioni musicologiche alle sue analisi e alle sue proposte ermeneutiche.
L’opera in musica tra studi letterari e musicologia. Riflessioni metodologiche in dialogo con il recente libro di un italianista
Cecchi, Alessandro
Primo
2025-01-01
Abstract
Opera in Music Between Literary Studies and Musicology. Methodological Reflections in Dialogue with a Recent Book by an Italianist – Starting from a recent book by Roberto Gigliucci, the article reflects on the relationship between literary studies, historical musicology, and musicology oriented towards a dialogue with performance studies and media studies. The ambiguity of the concept ‘parola intonata’ (intoned word), at the core of the book’s title, leads to the proposal of a rethinking of the relationship between text, performance and media in the field of opera studies. On that basis, the article responds to the interdisciplinary dialogue established by Gigliucci in his book, hypothesizing musicological integrations to his analyses and the hermeneutic proposals.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
