This paper analyses the American work of Vittorio Giorgini (1926-2010), a Florentine architect who, starting in 1969, found in New York the ideal context for developing visionary and experimental research. The study focuses on the projects Walking Tall (1982-1983) and Hydropolis (1981-1982), emblematic examples of an architectural language that combines geometric rigor, structural experimentation, and strong expressive intensity. In these works, geometry acts as the generative principle governing form, structure and function, anticipating approaches that can today be associated with parametric thinking. Through the analysis of archival drawings and manuscripts, the research identified the elementary geometric units and the aggregation logics underlying the projects, translating them into dynamic digital models through VPL (Visual Programming Language) procedural modelling tools. This method made it possible to validate the consistency of Giorgini’s design grammar, confirming its relevance and translatability into flexible generative systems. The digital reconstruction does not operate as a mere reproduction, but as a testing environment capable of verifying the feasibility of the proposals, transforming utopian vision into operative hypothesis. The paper thus highlights the anticipatory value of Giorgini’s research, a still under-recognized figure who combined geometric experimentation, attention to the urban context, and the aspiration towards alternative models of the city, and who can today be considered among the forerunners of parametric architecture.
Il contributo analizza l’attività americana di Vittorio Giorgini (1926-2010), architetto fiorentino che, a partire dal 1969, trova a New York il contesto ideale per sviluppare ricerche visionarie e sperimentali. L’indagine si concentra sui progetti Walking Tall (1982-1983) e Hydropolis (1981-1982), esempi emblematici di un linguaggio architettonico che coniuga rigore geometrico, sperimentazione strutturale e forte carica espressiva. In essi la geometria corrisponde al principio generativo che regola forma, struttura e funzione, anticipando approcci oggi riconducibili al pensiero parametrico. Attraverso l’analisi di disegni e manoscritti d’archivio, la ricerca ha individuato le unità geometriche elementari e le logiche di aggregazione sottese ai progetti, traducendole in modelli digitali dinamici mediante strumenti di modellazione algoritmico procedurale VPL (Visual Programming Language). Questa metodologia ha permesso di validare la coerenza della grammatica progettuale di Giorgini, confermandone l’attualità e la traducibilità in sistemi generativi flessibili. La ricostruzione digitale si configura non come mera restituzione, ma come banco di prova capace di verificare la fattibilità delle proposte, trasformando la visione utopica in ipotesi operativa. Il contributo mette così in luce il valore anticipatore della ricerca di Giorgini, figura ancora poco riconosciuta, che coniuga sperimentazione geometrica, attenzione al contesto urbano e aspirazione a modelli alternativi di città, ed è annoverabile tra i precursori dell’architettura parametrica.
Architetture parametriche: le visioni americane di Vittorio Giorgini | Parametric Architecture: the American Visions of Vittorio Giorgini
Alessandro Meloni
;Denise Ulivieri;Marco Giorgio Bevilacqua;Piergiuseppe Rechichi;Zhangliang Shuai
2026-01-01
Abstract
This paper analyses the American work of Vittorio Giorgini (1926-2010), a Florentine architect who, starting in 1969, found in New York the ideal context for developing visionary and experimental research. The study focuses on the projects Walking Tall (1982-1983) and Hydropolis (1981-1982), emblematic examples of an architectural language that combines geometric rigor, structural experimentation, and strong expressive intensity. In these works, geometry acts as the generative principle governing form, structure and function, anticipating approaches that can today be associated with parametric thinking. Through the analysis of archival drawings and manuscripts, the research identified the elementary geometric units and the aggregation logics underlying the projects, translating them into dynamic digital models through VPL (Visual Programming Language) procedural modelling tools. This method made it possible to validate the consistency of Giorgini’s design grammar, confirming its relevance and translatability into flexible generative systems. The digital reconstruction does not operate as a mere reproduction, but as a testing environment capable of verifying the feasibility of the proposals, transforming utopian vision into operative hypothesis. The paper thus highlights the anticipatory value of Giorgini’s research, a still under-recognized figure who combined geometric experimentation, attention to the urban context, and the aspiration towards alternative models of the city, and who can today be considered among the forerunners of parametric architecture.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


