The essay offers a history of the concept "diegesis" and of the conceptual opposition "diegetic/nondiegetic" from its introduction in French film studies during the 1950s to their most recent uses. The reconsideration of the opposition is necessary in order to escape the unconscious realism implicit in the concept as well as to develop a theory of audiovision based on a consciously constructivist approach to the audiovisual products.
Diegetic versus nondiegetic: a reconsideration of the conceptual opposition as a contribution to the theory of audiovision
CECCHI, ALESSANDRO
2010-01-01
Abstract
The essay offers a history of the concept "diegesis" and of the conceptual opposition "diegetic/nondiegetic" from its introduction in French film studies during the 1950s to their most recent uses. The reconsideration of the opposition is necessary in order to escape the unconscious realism implicit in the concept as well as to develop a theory of audiovision based on a consciously constructivist approach to the audiovisual products.File in questo prodotto:
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