Binding classical with digital. Rosso Fiorentino's "La Deposizione" displays a well-known religious scene with surprising dynamics for its age. All the figures are situated around the cross and captured in a twofold movement. Latin word “movere” addresses changes in the physical world as well in the state of mind. The physical and virtual then operate together, and at the same time. Time then, is the connector of the physical and metaphysical worlds of the characters, and gives more in-depth reading of the painting. The workshop aim was to create a virtual scene representing the painting. Working with a KUKA agilus (a robotic arm) the workshop team creates a scene reproducing the relationships among the characters of the painting. In a space where wooden poles stay for the characters, the robotic arm creates the relations among them unrolling a rope and by light effects captured by long exposure photos.

From painting to space through virtuality. International digital workshop in Volterra

Roberto Castiglia
Primo
Writing – Original Draft Preparation
;
Carboni, Paolo
Secondo
2018-01-01

Abstract

Binding classical with digital. Rosso Fiorentino's "La Deposizione" displays a well-known religious scene with surprising dynamics for its age. All the figures are situated around the cross and captured in a twofold movement. Latin word “movere” addresses changes in the physical world as well in the state of mind. The physical and virtual then operate together, and at the same time. Time then, is the connector of the physical and metaphysical worlds of the characters, and gives more in-depth reading of the painting. The workshop aim was to create a virtual scene representing the painting. Working with a KUKA agilus (a robotic arm) the workshop team creates a scene reproducing the relationships among the characters of the painting. In a space where wooden poles stay for the characters, the robotic arm creates the relations among them unrolling a rope and by light effects captured by long exposure photos.
2018
Castiglia, ROBERTO BENEDETTO FILIPPO; Carboni, Paolo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11568/922482
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