This essay aims to explore Pasolini’s aesthetic conception through the analysis of the film Medea and the novel Petrolio, by means of some critical reflections on imagination and power, the problem of perspectivism and the power of the poetic word, in order to rethink our point of view and its relationship with the world.
Il negativo della realtà. Creazione, immaginazione, visione in Petrolio di Pier Paolo Pasolini
Alessandro Fiorillo
2025-01-01
Abstract
This essay aims to explore Pasolini’s aesthetic conception through the analysis of the film Medea and the novel Petrolio, by means of some critical reflections on imagination and power, the problem of perspectivism and the power of the poetic word, in order to rethink our point of view and its relationship with the world.File in questo prodotto:
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