The Djebel Amour region, located in the Western Saharan Atlas of Algeria, hosts a vernacular mosque heritage that remains largely unexplored. This study presents the first comprehensive typo-morphological analysis of fourteen mosques dating from the 11th to the 20th century. Their original architectural state was reconstructed through the triangulation of field surveys, archival documentation, iconographic sources, and oral testimonies. A reference model based on four recurrent components—the prayer hall with its mihrab, courtyard, portico, and minaret—enabled the identification of typological constants, contextual variations, and vernacular constructive logics. The results reveal the persistence of sober and functional forms, marked by the frequent absence of a courtyard and the presence of skiffa-inspired porticos and staircase minarets. A complementary quantitative component strengthens cross-regional comparisons and situates the Djebel Amour corpus within wider North African, West African, Middle Eastern, and Southeast Asian vernacular mosque traditions. Beyond architectural reconstruction, this study develops an operational framework for conservation and transformation management, supported by a structured database that systematises typological, material, and construction data. While the analysis relies primarily on photogrammetric documentation, the proposed framework is compatible with international digital standards and can be expanded through methods such as 3D laser scanning, drone-based surveys, or geospatial modelling. By integrating qualitative, quantitative, and digital perspectives, this research offers practical tools for heritage authorities, local administrations, mosque committees, architects, designers, and conservation practitioners, positioning the Djebel Amour mosques as a reference model for sustainable heritage management and contextual adaptation in arid and tribal environments.
Tracing the Morphogenesis and Formal Diffusion of Vernacular Mosques: A Typo-Morphological Study of Djebel Amour, Algeria
Bidjad Arigue;Giovanni Santi
;Emanuele Leporelli
2025-01-01
Abstract
The Djebel Amour region, located in the Western Saharan Atlas of Algeria, hosts a vernacular mosque heritage that remains largely unexplored. This study presents the first comprehensive typo-morphological analysis of fourteen mosques dating from the 11th to the 20th century. Their original architectural state was reconstructed through the triangulation of field surveys, archival documentation, iconographic sources, and oral testimonies. A reference model based on four recurrent components—the prayer hall with its mihrab, courtyard, portico, and minaret—enabled the identification of typological constants, contextual variations, and vernacular constructive logics. The results reveal the persistence of sober and functional forms, marked by the frequent absence of a courtyard and the presence of skiffa-inspired porticos and staircase minarets. A complementary quantitative component strengthens cross-regional comparisons and situates the Djebel Amour corpus within wider North African, West African, Middle Eastern, and Southeast Asian vernacular mosque traditions. Beyond architectural reconstruction, this study develops an operational framework for conservation and transformation management, supported by a structured database that systematises typological, material, and construction data. While the analysis relies primarily on photogrammetric documentation, the proposed framework is compatible with international digital standards and can be expanded through methods such as 3D laser scanning, drone-based surveys, or geospatial modelling. By integrating qualitative, quantitative, and digital perspectives, this research offers practical tools for heritage authorities, local administrations, mosque committees, architects, designers, and conservation practitioners, positioning the Djebel Amour mosques as a reference model for sustainable heritage management and contextual adaptation in arid and tribal environments.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


