Shakespeare as adaptor of consolidated oral conventions and experiences nelonging abroad and to an early phase of the world theatre history and scrpted them in order to create an effective form of entertainment for his own nation and time. When he isolated the mitif os 'mistaken identities' he made use of Plautus ' influence on the one hand, and of the influence of a popular, oral source, that of Commedia dell'Arte. Through it, an anlogy is built with the context where Goldoni operated in Italy, in the XVIIth cent., carrying out his reformation of the comedy as a genre.
Commedia dell'Arte, Shakespeare and Goldoni. Circulation of theatrical energy through the re-presentation of oral traditions
DENTE, CARLA
2005-01-01
Abstract
Shakespeare as adaptor of consolidated oral conventions and experiences nelonging abroad and to an early phase of the world theatre history and scrpted them in order to create an effective form of entertainment for his own nation and time. When he isolated the mitif os 'mistaken identities' he made use of Plautus ' influence on the one hand, and of the influence of a popular, oral source, that of Commedia dell'Arte. Through it, an anlogy is built with the context where Goldoni operated in Italy, in the XVIIth cent., carrying out his reformation of the comedy as a genre.File in questo prodotto:
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