BONADUCE, ILARIA
 Distribuzione geografica
Continente #
NA - Nord America 10.329
EU - Europa 5.487
AS - Asia 5.190
SA - Sud America 800
Continente sconosciuto - Info sul continente non disponibili 332
AF - Africa 240
OC - Oceania 21
Totale 22.399
Nazione #
US - Stati Uniti d'America 10.024
IT - Italia 2.755
SG - Singapore 1.564
CN - Cina 1.472
HK - Hong Kong 778
BR - Brasile 665
SE - Svezia 472
VN - Vietnam 444
DE - Germania 417
BG - Bulgaria 324
FR - Francia 308
CA - Canada 236
TR - Turchia 207
GB - Regno Unito 206
RU - Federazione Russa 175
IN - India 164
FI - Finlandia 138
KR - Corea 133
UA - Ucraina 129
JP - Giappone 108
NL - Olanda 93
ES - Italia 90
CI - Costa d'Avorio 73
CH - Svizzera 72
BD - Bangladesh 50
AR - Argentina 46
SN - Senegal 39
IQ - Iraq 38
CZ - Repubblica Ceca 37
MX - Messico 35
EE - Estonia 33
PL - Polonia 30
BE - Belgio 29
PT - Portogallo 29
IR - Iran 28
NG - Nigeria 26
ZA - Sudafrica 25
ID - Indonesia 23
VE - Venezuela 23
AT - Austria 21
PK - Pakistan 21
GR - Grecia 20
MA - Marocco 19
SA - Arabia Saudita 18
IE - Irlanda 17
PH - Filippine 17
CO - Colombia 16
MY - Malesia 16
NO - Norvegia 16
MT - Malta 15
AU - Australia 14
EC - Ecuador 14
EG - Egitto 14
KE - Kenya 14
TN - Tunisia 12
HR - Croazia 11
UZ - Uzbekistan 11
DK - Danimarca 10
PY - Paraguay 10
UY - Uruguay 10
VA - Santa Sede (Città del Vaticano) 9
JO - Giordania 8
TH - Thailandia 8
TW - Taiwan 8
AZ - Azerbaigian 7
NP - Nepal 7
NZ - Nuova Zelanda 7
OM - Oman 7
PE - Perù 7
CL - Cile 6
DZ - Algeria 6
HU - Ungheria 6
LK - Sri Lanka 6
RO - Romania 6
CR - Costa Rica 5
JM - Giamaica 5
KG - Kirghizistan 5
TT - Trinidad e Tobago 5
CY - Cipro 4
IL - Israele 4
KZ - Kazakistan 4
LB - Libano 4
LT - Lituania 4
QA - Qatar 4
BJ - Benin 3
HN - Honduras 3
KW - Kuwait 3
MQ - Martinica 3
PS - Palestinian Territory 3
RE - Reunion 3
AD - Andorra 2
AE - Emirati Arabi Uniti 2
AF - Afghanistan, Repubblica islamica di 2
AL - Albania 2
AM - Armenia 2
BB - Barbados 2
BH - Bahrain 2
BO - Bolivia 2
BS - Bahamas 2
DO - Repubblica Dominicana 2
Totale 22.034
Città #
Serra 1.138
Ashburn 1.061
Woodbridge 913
Singapore 870
Hong Kong 754
Fairfield 664
San Jose 595
Houston 568
Chandler 549
Santa Clara 539
Ann Arbor 519
Dallas 433
Milan 391
Sofia 324
Shanghai 302
Beijing 300
Seattle 285
Wilmington 272
New York 248
Cambridge 246
Jacksonville 179
Ottawa 174
Boardman 166
Hefei 156
Princeton 144
Los Angeles 142
Lauterbourg 119
Lawrence 118
Izmir 116
Seoul 113
Ho Chi Minh City 104
Florence 102
Council Bluffs 101
Nanjing 97
Rome 92
Medford 90
Tokyo 88
Hanoi 79
Abidjan 73
Dong Ket 70
Livorno 68
Bremen 65
Des Moines 61
Istanbul 56
Pisa 56
Frankfurt am Main 54
Dearborn 53
Bern 50
Buffalo 50
Redondo Beach 47
Redwood City 43
Munich 42
São Paulo 41
Turin 41
Dakar 39
Marseille 39
Nanchang 37
San Diego 37
Amsterdam 36
Ogden 36
Shenyang 35
The Dalles 34
Tallinn 32
Columbus 31
Jüchen 31
Pune 29
San Francisco 29
Tianjin 29
Boulder 28
London 27
Rio de Janeiro 27
Hebei 26
Lagos 25
Brussels 24
Paris 24
Lancaster 23
Da Nang 22
Warsaw 21
Atlanta 20
Berlin 20
Helsinki 20
Kunming 20
Orem 20
Belo Horizonte 19
Düsseldorf 18
Turku 18
Canegrate 17
Jiaxing 17
Amadora 16
Madrid 16
Brooklyn 15
Chennai 15
Curitiba 15
Falls Church 15
Hangzhou 15
Jinan 15
Augusta 14
Dublin 14
Naples 14
Parma 14
Totale 15.109
Nome #
Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage 396
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech) 352
Characterisation of natural substances in ancient polychromies 308
Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art 305
Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples 265
The developement of a new analytical model for the identification of saccharide binders in paint samples 254
GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media 254
Analytical pyrolysis of proteins in samples from artistic and archaeological objects 247
Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing 242
Characterisation of natural organic materials in paintings by GC/MS analytical procedures 234
Analysis of plant gums and saccharide materials in paint samples: Comparison of GC-MS analytical procedures and databases 232
Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions 232
Circularly polarized luminescence reveals interaction between commercial stains and protein matrices used in paintings 231
Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions 229
Mass spectrometric techniques for characterizing low-molecular-weight resins used as paint varnishes 228
Development of a GC/MS method for the qualitative and quantitative analysis of mixtures of free fatty acids and metal soaps in paint samples 227
Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects 225
Ancient restorations at Hierapolis of Phrygia (Denizli, Turkey): Interdisciplinary research on materials and technologies 219
Saving the medieval paintings by the Master Painter of the Triumph of Death in Pisa 218
Terpenoid Oligomers of Dammar Resin 217
Py-GC/MS of organic paint binders 215
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 214
Characterization and identification of urushi using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 214
An integrated mass spectrometric and molecular imaging analytical approach to identify and localise constituents in paintings applied to gilded multilayer structures from 14th to 16th C works of art 213
Mass Spectrometric and Synchrotron Radiation Based Techniques for the Identification and Distribution of Painting Materials in Samples From Paints of Josep Maria Sert 213
Analysis of the binding of commercial stains to protein materials used in artworks 213
The role of the polymeric network in the water sensitivity of modern oil paints 210
Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science 205
Pyrolysis gas chromatography mass spectrometry: a promising tool for disclosing metal-free tanning agents used in leather industry 199
Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry 194
A first insight into the Asian clay sculptures painting technique and materials: Western and Eastern Buddhas of the Bamiyan valley (Afghanistan) and sculptures from Shuilu’an (Shaanxi Province, China) 193
An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques 192
Analytical pyrolysis of ovalbumin 189
A versatile method to fingerprint and compare the oxidative behaviour of lipids beyond their oxidative stability 188
A combined GC-MS analytical procedure for the characterisation of glycerolipid, waxy, resinous and proteinaceous materials in a unique paint micro-sample 187
Analytical strategies for characterising organic paint media using GC-MS 184
Disclosing the chemistry of oil curing by mass spectrometry using methyl linoleate as a model binder   183
La caratterizzazione dei coloranti organici e dei leganti pittorici 182
Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions 182
GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan) 182
On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints 180
Characterisation of preparation layers in nine Danish Golden Age canvas paintings by SEM-EDX, FTIR and GC-MS 178
Evolved Gas Analysis-Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings 176
Painting on polyurethane foam:“Composizione-Superficie Lunare” by Giulio Turcato 174
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 172
Thermal Degradation Behavior of a Nearly Alternating Copolymer of Vinylidene Cyanide with 2,2,2-Trifluoroethyl Methacrylate 171
Memori Project: Evaluation of Damage to Exposed Organic-Based Heritage Materials and Nanoforart: Evaluation of Nanoparticle-based Conservation Treatment 170
A novel HPLC-ESI-Q-ToF approach for the determination of fatty acids and acylglycerols in food samples 170
The binding media of the polychromy of Qin Shihuang’s Terracotta Army” Journal of Cultural Heritage 169
A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints 168
A diagnosis of the yellowing of the marble high reliefs and the black decorations in the chapel of the tomb of Saint Anthony (Padua, Italy) 167
“Urban pollution and oxalate film formation on white marble of Pisa (Italy)” 166
The role of organic and inorganic indoor pollutants in museum environments in the degradation of dammar varnish 165
The binding media of the polychromy of Qin Shihuang's Terracotta Army 165
A holistic view on the role of egg yolk in Old Masters' oil paints 164
Physico-chemical characterization of protein-pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar 164
Gas Chromatography/Mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa (Italy) 163
New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study 162
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 160
Biotechnology applied to cultural heritage: biorestoration of frescoes using viable bacterial cells and enzymes 159
Diagnostica mediante metodologie integrate del ciclo pittorico Storia di Teodolinda nella Cappella di Teodolinda del Duomo di Monza 158
Ancient restoration practices in the Monumental Nymphaeum at Tripolis ad Maeandrum (Turkey): multi-analytical approach on Roman and Byzantine bonding mortars 156
Analytical investigation of calcium oxalate films on marble monuments 156
A multi-analytical characterization of artists’ carbon-based black pigments 155
An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration 155
Indagini analitiche sul Sarcofago delle Amazzoni 154
Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample 154
Advanced analytical investigation on degradation markers in wall paintings 154
The role of early synthetic materials degradation in the downfall of the Ansaldo A.1, an Italian World War I biplane fighter 153
Chemical imaging techniques for the characterisation of materials and techniques in the art of gilding: a case study from a mural by F. Lippi 151
Characterisation of natural indigo and shellfish purple by mass spectrometric techniques 151
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 150
Organic paint materials and their characterization by GC-MS analytical procedures” 148
Characterization of organic media in the wall-paintings of the "Palace of Nestor" at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age 147
Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings 147
Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from Paints of Josep Maria Sert 147
Characterization of the interactions between proteinaceous binders and inorganic pigments in paint reconstructions 146
The degradation of Burmese lacquer (thitsi) as observed in samples from two cultural artefacts 146
The characterisation of the organic binders 145
Development of a GC–MS strategy for the determination of cross-linked proteins in 20th century paint tubes 144
The role of indoor environmental pollutants in the degradation of natural resins 143
A simple and reliable methodology to detect egg white in art samples 143
The stability of paintings and the molecular structure of the oil paint polymeric network 143
The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry 142
Analytical pyrolysis to gain insights into the protein structure. The case of ovalbumin 141
Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry 141
Oxidation and Cross-Linking in the Curing of Air-Drying Artists' Oil Paints 140
Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa Italy) 139
The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation 138
Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples 137
Disentangling the chemistry of Australian plant exudates from a unique historical collection 136
Determinazione dei materiali organici tramite Py/Silanizzazione-GC-MS 133
DSC on ovalbumin-hematite “tempera” paints: the role of water and pigment on protein stability 133
Identification of garlic in old gildings by Gas Chromatography- Mass Spectrometry 132
Proteomic Characterization of Collagen-Based Animal Glues for Restoration 131
GC-MS Characterization of plant gums in samples from painted works of art 131
Territory and related artworks: Stuccoworks from the lombard lakes 131
Interaction between proteins and inorganic pigments in paint layers: a chemical physical study 129
Molecular pattern recognition of fresh and aged shellac 128
Gas cromatography mass spectrometry /GC/MS) and pyrolysis GC/MS 127
Totale 18.165
Categoria #
all - tutte 62.432
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 62.432


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2021/20221.449 0 82 56 88 254 201 35 65 76 41 126 425
2022/20231.850 216 188 120 213 201 233 32 131 342 25 112 37
2023/20241.632 166 190 192 114 243 273 40 127 32 40 65 150
2024/20254.455 35 178 133 272 377 441 496 255 414 589 505 760
2025/20264.962 295 675 512 368 507 426 779 276 325 490 175 134
2026/2027357 169 188 0 0 0 0 0 0 0 0 0 0
Totale 22.399