CINECA IRIS Institutional Research Information System

BONADUCE, ILARIA
 Distribuzione geografica
Salva come PNG Salva come JPEG
Continente #
NA - Nord America 9.817
EU - Europa 5.389
AS - Asia 5.151
SA - Sud America 788
AF - Africa 240
OC - Oceania 20
Continente sconosciuto - Info sul continente non disponibili 2
Totale 21.407
Salva come PNG Salva come JPEG
Nazione #
US - Stati Uniti d'America 9.532
IT - Italia 2.693
SG - Singapore 1.552
CN - Cina 1.456
HK - Hong Kong 776
BR - Brasile 657
SE - Svezia 469
VN - Vietnam 444
DE - Germania 417
BG - Bulgaria 324
FR - Francia 305
CA - Canada 226
TR - Turchia 207
GB - Regno Unito 204
RU - Federazione Russa 175
IN - India 163
FI - Finlandia 137
KR - Corea 132
UA - Ucraina 129
JP - Giappone 107
ES - Italia 85
NL - Olanda 81
CI - Costa d'Avorio 73
CH - Svizzera 72
BD - Bangladesh 49
AR - Argentina 44
SN - Senegal 39
IQ - Iraq 38
CZ - Repubblica Ceca 34
EE - Estonia 33
MX - Messico 32
PL - Polonia 30
BE - Belgio 29
IR - Iran 28
PT - Portogallo 28
NG - Nigeria 26
ZA - Sudafrica 25
VE - Venezuela 23
AT - Austria 21
PK - Pakistan 21
MA - Marocco 19
GR - Grecia 18
ID - Indonesia 18
SA - Arabia Saudita 18
IE - Irlanda 17
PH - Filippine 17
CO - Colombia 16
MY - Malesia 16
NO - Norvegia 16
MT - Malta 15
EC - Ecuador 14
EG - Egitto 14
KE - Kenya 14
AU - Australia 13
TN - Tunisia 12
UZ - Uzbekistan 11
UY - Uruguay 10
HR - Croazia 9
PY - Paraguay 9
VA - Santa Sede (Città del Vaticano) 9
DK - Danimarca 8
JO - Giordania 8
TH - Thailandia 8
TW - Taiwan 8
AZ - Azerbaigian 7
NP - Nepal 7
NZ - Nuova Zelanda 7
OM - Oman 7
CL - Cile 6
DZ - Algeria 6
HU - Ungheria 6
LK - Sri Lanka 6
PE - Perù 6
RO - Romania 6
KG - Kirghizistan 5
TT - Trinidad e Tobago 5
CY - Cipro 4
IL - Israele 4
JM - Giamaica 4
KZ - Kazakistan 4
LB - Libano 4
LT - Lituania 4
QA - Qatar 4
BJ - Benin 3
CR - Costa Rica 3
KW - Kuwait 3
MQ - Martinica 3
PS - Palestinian Territory 3
RE - Reunion 3
AD - Andorra 2
AE - Emirati Arabi Uniti 2
AF - Afghanistan, Repubblica islamica di 2
AL - Albania 2
AM - Armenia 2
BB - Barbados 2
BH - Bahrain 2
BO - Bolivia 2
BS - Bahamas 2
DO - Repubblica Dominicana 2
ET - Etiopia 2
Totale 21.375
Salva come PNG Salva come JPEG
Città #
Serra 1.138
Ashburn 997
Woodbridge 913
Singapore 868
Hong Kong 752
Fairfield 664
Houston 567
Chandler 549
San Jose 543
Santa Clara 533
Ann Arbor 519
Dallas 429
Milan 386
Sofia 324
Shanghai 302
Beijing 294
Seattle 285
Wilmington 272
Cambridge 246
New York 242
Jacksonville 178
Ottawa 174
Boardman 165
Hefei 156
Princeton 144
Los Angeles 137
Lauterbourg 119
Lawrence 118
Izmir 116
Seoul 113
Ho Chi Minh City 104
Florence 101
Nanjing 97
Medford 90
Tokyo 88
Rome 86
Hanoi 79
Abidjan 73
Dong Ket 70
Livorno 68
Bremen 65
Council Bluffs 61
Des Moines 59
Istanbul 56
Frankfurt am Main 54
Dearborn 52
Bern 50
Buffalo 48
Pisa 48
Redondo Beach 47
Redwood City 43
Munich 42
São Paulo 40
Turin 40
Dakar 39
Marseille 38
Nanchang 37
Ogden 36
San Diego 35
Shenyang 35
The Dalles 34
Tallinn 32
Columbus 31
Jüchen 31
Amsterdam 29
Pune 29
Boulder 28
Tianjin 28
Rio de Janeiro 27
Hebei 26
London 26
Lagos 25
Brussels 24
Paris 24
San Francisco 24
Lancaster 23
Da Nang 22
Warsaw 21
Berlin 20
Helsinki 20
Kunming 20
Orem 20
Belo Horizonte 19
Düsseldorf 18
Turku 18
Canegrate 17
Jiaxing 17
Amadora 16
Atlanta 15
Chennai 15
Curitiba 15
Falls Church 15
Hangzhou 15
Jinan 15
Augusta 14
Brooklyn 14
Dublin 14
Madrid 14
Parma 14
San Mateo 14
Totale 14.867
Salva come PNG Salva come JPEG
Nome #
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech) 351
Characterisation of natural substances in ancient polychromies 304
Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art 302
Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples 264
The developement of a new analytical model for the identification of saccharide binders in paint samples 252
Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage 250
GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media 248
Analytical pyrolysis of proteins in samples from artistic and archaeological objects 236
Analysis of plant gums and saccharide materials in paint samples: Comparison of GC-MS analytical procedures and databases 232
Characterisation of natural organic materials in paintings by GC/MS analytical procedures 231
Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions 230
Circularly polarized luminescence reveals interaction between commercial stains and protein matrices used in paintings 227
Mass spectrometric techniques for characterizing low-molecular-weight resins used as paint varnishes 226
Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions 226
Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing 223
Development of a GC/MS method for the qualitative and quantitative analysis of mixtures of free fatty acids and metal soaps in paint samples 221
Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects 220
Ancient restorations at Hierapolis of Phrygia (Denizli, Turkey): Interdisciplinary research on materials and technologies 216
Saving the medieval paintings by the Master Painter of the Triumph of Death in Pisa 215
Py-GC/MS of organic paint binders 214
Terpenoid Oligomers of Dammar Resin 214
Characterization and identification of urushi using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 213
Mass Spectrometric and Synchrotron Radiation Based Techniques for the Identification and Distribution of Painting Materials in Samples From Paints of Josep Maria Sert 212
An integrated mass spectrometric and molecular imaging analytical approach to identify and localise constituents in paintings applied to gilded multilayer structures from 14th to 16th C works of art 210
Analysis of the binding of commercial stains to protein materials used in artworks 209
The role of the polymeric network in the water sensitivity of modern oil paints 209
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 203
Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science 199
Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry 194
A first insight into the Asian clay sculptures painting technique and materials: Western and Eastern Buddhas of the Bamiyan valley (Afghanistan) and sculptures from Shuilu’an (Shaanxi Province, China) 188
Pyrolysis gas chromatography mass spectrometry: a promising tool for disclosing metal-free tanning agents used in leather industry 185
A combined GC-MS analytical procedure for the characterisation of glycerolipid, waxy, resinous and proteinaceous materials in a unique paint micro-sample 185
Analytical pyrolysis of ovalbumin 185
Analytical strategies for characterising organic paint media using GC-MS 183
La caratterizzazione dei coloranti organici e dei leganti pittorici 182
An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques 182
GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan) 182
A versatile method to fingerprint and compare the oxidative behaviour of lipids beyond their oxidative stability 180
Disclosing the chemistry of oil curing by mass spectrometry using methyl linoleate as a model binder   179
Characterisation of preparation layers in nine Danish Golden Age canvas paintings by SEM-EDX, FTIR and GC-MS 175
Evolved Gas Analysis-Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings 175
Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions 174
Painting on polyurethane foam:“Composizione-Superficie Lunare” by Giulio Turcato 174
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 172
Thermal Degradation Behavior of a Nearly Alternating Copolymer of Vinylidene Cyanide with 2,2,2-Trifluoroethyl Methacrylate 169
On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints 169
Memori Project: Evaluation of Damage to Exposed Organic-Based Heritage Materials and Nanoforart: Evaluation of Nanoparticle-based Conservation Treatment 168
A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints 167
“Urban pollution and oxalate film formation on white marble of Pisa (Italy)” 166
The binding media of the polychromy of Qin Shihuang’s Terracotta Army” Journal of Cultural Heritage 166
A diagnosis of the yellowing of the marble high reliefs and the black decorations in the chapel of the tomb of Saint Anthony (Padua, Italy) 166
The binding media of the polychromy of Qin Shihuang's Terracotta Army 164
Gas Chromatography/Mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa (Italy) 162
The role of organic and inorganic indoor pollutants in museum environments in the degradation of dammar varnish 162
A novel HPLC-ESI-Q-ToF approach for the determination of fatty acids and acylglycerols in food samples 162
Physico-chemical characterization of protein-pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar 161
A holistic view on the role of egg yolk in Old Masters' oil paints 160
New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study 160
Biotechnology applied to cultural heritage: biorestoration of frescoes using viable bacterial cells and enzymes 158
Diagnostica mediante metodologie integrate del ciclo pittorico Storia di Teodolinda nella Cappella di Teodolinda del Duomo di Monza 156
Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample 154
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 152
Advanced analytical investigation on degradation markers in wall paintings 152
Chemical imaging techniques for the characterisation of materials and techniques in the art of gilding: a case study from a mural by F. Lippi 151
Analytical investigation of calcium oxalate films on marble monuments 151
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 150
Characterisation of natural indigo and shellfish purple by mass spectrometric techniques 150
An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration 150
Ancient restoration practices in the Monumental Nymphaeum at Tripolis ad Maeandrum (Turkey): multi-analytical approach on Roman and Byzantine bonding mortars 148
Indagini analitiche sul Sarcofago delle Amazzoni 148
Characterization of organic media in the wall-paintings of the "Palace of Nestor" at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age 146
Organic paint materials and their characterization by GC-MS analytical procedures” 145
Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from Paints of Josep Maria Sert 145
Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings 144
A multi-analytical characterization of artists’ carbon-based black pigments 144
The characterisation of the organic binders 143
Characterization of the interactions between proteinaceous binders and inorganic pigments in paint reconstructions 143
Development of a GC–MS strategy for the determination of cross-linked proteins in 20th century paint tubes 143
The role of indoor environmental pollutants in the degradation of natural resins 142
The degradation of Burmese lacquer (thitsi) as observed in samples from two cultural artefacts 142
The role of early synthetic materials degradation in the downfall of the Ansaldo A.1, an Italian World War I biplane fighter 140
A simple and reliable methodology to detect egg white in art samples 140
Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa Italy) 138
Oxidation and Cross-Linking in the Curing of Air-Drying Artists' Oil Paints 137
The stability of paintings and the molecular structure of the oil paint polymeric network 137
Analytical pyrolysis to gain insights into the protein structure. The case of ovalbumin 136
Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples 134
The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry 133
Disentangling the chemistry of Australian plant exudates from a unique historical collection 132
The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation 132
Determinazione dei materiali organici tramite Py/Silanizzazione-GC-MS 132
Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry 132
Identification of garlic in old gildings by Gas Chromatography- Mass Spectrometry 130
DSC on ovalbumin-hematite “tempera” paints: the role of water and pigment on protein stability 129
GC-MS Characterization of plant gums in samples from painted works of art 128
Proteomic Characterization of Collagen-Based Animal Glues for Restoration 126
Gaseous Pollutants inside Microclimate Frames: Results from the PROPAINT Project 126
Interaction between proteins and inorganic pigments in paint layers: a chemical physical study 126
Territory and related artworks: Stuccoworks from the lombard lakes 126
Scientific investigation into the water sensitivity of twentieth century oil paints 125
Totale 17.650
Salva come PNG Salva come JPEG
Categoria #
all - tutte 57.961
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 57.961
Salva come PNG Salva come JPEG


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2020/2021333 0 0 0 0 0 0 0 0 0 0 148 185
2021/20221.502 53 82 56 88 254 201 35 65 76 41 126 425
2022/20231.850 216 188 120 213 201 233 32 131 342 25 112 37
2023/20241.632 166 190 192 114 243 273 40 127 32 40 65 150
2024/20254.455 35 178 133 272 377 441 496 255 414 589 505 760
2025/20264.655 295 675 512 368 507 426 779 276 325 490 2 0
Totale 21.735