BONADUCE, ILARIA
 Distribuzione geografica
Continente #
NA - Nord America 6.886
EU - Europa 4.330
AS - Asia 1.314
AF - Africa 145
SA - Sud America 22
OC - Oceania 17
Continente sconosciuto - Info sul continente non disponibili 2
Totale 12.716
Nazione #
US - Stati Uniti d'America 6.670
IT - Italia 2.374
CN - Cina 590
SE - Svezia 466
BG - Bulgaria 323
DE - Germania 316
SG - Singapore 244
CA - Canada 203
GB - Regno Unito 150
VN - Vietnam 130
TR - Turchia 129
UA - Ucraina 122
FR - Francia 120
FI - Finlandia 98
IN - India 93
CI - Costa d'Avorio 73
CH - Svizzera 64
RU - Federazione Russa 52
ES - Italia 51
HK - Hong Kong 37
SN - Senegal 37
CZ - Repubblica Ceca 28
NL - Olanda 28
IR - Iran 27
BE - Belgio 25
NG - Nigeria 25
JP - Giappone 16
NO - Norvegia 16
GR - Grecia 15
AU - Australia 12
MT - Malta 12
PL - Polonia 12
PT - Portogallo 12
KR - Corea 11
AR - Argentina 10
IE - Irlanda 9
MX - Messico 9
VA - Santa Sede (Città del Vaticano) 7
BR - Brasile 6
DK - Danimarca 6
LK - Sri Lanka 6
MY - Malesia 6
ID - Indonesia 5
NZ - Nuova Zelanda 5
PH - Filippine 5
RO - Romania 5
AT - Austria 4
PK - Pakistan 4
BJ - Benin 3
HU - Ungheria 3
MQ - Martinica 3
RE - Reunion 3
TW - Taiwan 3
AD - Andorra 2
AF - Afghanistan, Repubblica islamica di 2
CL - Cile 2
CY - Cipro 2
EE - Estonia 2
EG - Egitto 2
HR - Croazia 2
LT - Lituania 2
PE - Perù 2
SK - Slovacchia (Repubblica Slovacca) 2
A1 - Anonimo 1
CO - Colombia 1
EC - Ecuador 1
EU - Europa 1
IL - Israele 1
IQ - Iraq 1
IS - Islanda 1
JM - Giamaica 1
LA - Repubblica Popolare Democratica del Laos 1
MA - Marocco 1
MD - Moldavia 1
TH - Thailandia 1
ZA - Sudafrica 1
Totale 12.716
Città #
Serra 1.136
Woodbridge 912
Fairfield 664
Houston 563
Chandler 549
Ann Arbor 519
Ashburn 419
Milan 366
Sofia 323
Seattle 283
Wilmington 270
Cambridge 241
New York 216
Beijing 199
Jacksonville 178
Ottawa 174
Boardman 155
Princeton 144
Singapore 136
Lawrence 118
Izmir 113
Nanjing 97
Medford 90
Abidjan 73
Dong Ket 70
Bremen 65
Florence 60
Des Moines 59
Rome 59
Dearborn 52
Bern 50
Redwood City 43
Marseille 38
Dakar 37
Nanchang 37
Ogden 36
San Diego 35
Shenyang 34
Jüchen 31
Frankfurt am Main 30
Pune 29
Boulder 28
Pisa 28
Hebei 26
Lagos 25
Los Angeles 25
Tianjin 25
Hong Kong 24
Lancaster 23
Livorno 21
Brussels 20
Kunming 20
Paris 19
London 18
Canegrate 17
Jiaxing 17
San Francisco 17
Jinan 15
Berlin 14
Dallas 14
Falls Church 14
Parma 14
San Mateo 14
Hefei 13
Madrid 13
Trondheim 13
Verona 13
Augusta 12
Changsha 12
Hangzhou 12
Hyderabad 12
Perugia 12
Viareggio 12
Toronto 11
Washington 11
Ardabil 10
Düsseldorf 10
Orange 10
Padova 10
Santa Clara 10
Auburn Hills 9
Detroit 9
Leawood 9
Norwalk 9
Phoenix 9
Venezia 9
Warsaw 9
Zurich 9
Bologna 8
Bari 7
Guangzhou 7
Monmouth Junction 7
Wuhan 7
Amsterdam 6
Dublin 6
Istanbul 6
Lanzhou 6
Lappeenranta 6
Melbourne 6
Oberursel 6
Totale 9.487
Nome #
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech) 263
Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art 257
Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples 207
GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media 204
The developement of a new analytical model for the identification of saccharide binders in paint samples 199
Analysis of plant gums and saccharide materials in paint samples: Comparison of GC-MS analytical procedures and databases 192
Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects 184
Analytical pyrolysis of proteins in samples from artistic and archaeological objects 179
Characterisation of natural organic materials in paintings by GC/MS analytical procedures 175
Mass spectrometric techniques for characterizing low-molecular-weight resins used as paint varnishes 174
Development of a GC/MS method for the qualitative and quantitative analysis of mixtures of free fatty acids and metal soaps in paint samples 172
Mass Spectrometric and Synchrotron Radiation Based Techniques for the Identification and Distribution of Painting Materials in Samples From Paints of Josep Maria Sert 168
Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions 165
An integrated mass spectrometric and molecular imaging analytical approach to identify and localise constituents in paintings applied to gilded multilayer structures from 14th to 16th C works of art 163
Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions 161
Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage 159
Characterisation of natural substances in ancient polychromies 159
Circularly polarized luminescence reveals interaction between commercial stains and protein matrices used in paintings 156
Py-GC/MS of organic paint binders 153
Characterization and identification of urushi using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 150
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 145
A first insight into the Asian clay sculptures painting technique and materials: Western and Eastern Buddhas of the Bamiyan valley (Afghanistan) and sculptures from Shuilu’an (Shaanxi Province, China) 143
A combined GC-MS analytical procedure for the characterisation of glycerolipid, waxy, resinous and proteinaceous materials in a unique paint micro-sample 142
Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science 142
Terpenoid Oligomers of Dammar Resin 141
Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry 140
An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques 136
Evolved Gas Analysis-Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings 133
Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions 131
Analytical pyrolysis of ovalbumin 131
Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing 127
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 125
La caratterizzazione dei coloranti organici e dei leganti pittorici 125
Memori Project: Evaluation of Damage to Exposed Organic-Based Heritage Materials and Nanoforart: Evaluation of Nanoparticle-based Conservation Treatment 123
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 123
The binding media of the polychromy of Qin Shihuang’s Terracotta Army” Journal of Cultural Heritage 121
Saving the medieval paintings by the Master Painter of the Triumph of Death in Pisa 121
Analytical strategies for characterising organic paint media using GC-MS 116
GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan) 115
A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints 113
Gas Chromatography/Mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa (Italy) 111
Characterization of organic media in the wall-paintings of the "Palace of Nestor" at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age 111
On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints 109
The degradation of Burmese lacquer (thitsi) as observed in samples from two cultural artefacts 108
New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study 107
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 106
Physico-chemical characterization of protein-pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar 106
A diagnosis of the yellowing of the marble high reliefs and the black decorations in the chapel of the tomb of Saint Anthony (Padua, Italy) 106
A novel HPLC-ESI-Q-ToF approach for the determination of fatty acids and acylglycerols in food samples 106
Indagini analitiche sul Sarcofago delle Amazzoni 105
The role of the polymeric network in the water sensitivity of modern oil paints 105
Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from Paints of Josep Maria Sert 104
Advanced analytical investigation on degradation markers in wall paintings 103
Biotechnology applied to cultural heritage: biorestoration of frescoes using viable bacterial cells and enzymes 103
Diagnostica mediante metodologie integrate del ciclo pittorico Storia di Teodolinda nella Cappella di Teodolinda del Duomo di Monza 102
Chemical imaging techniques for the characterisation of materials and techniques in the art of gilding: a case study from a mural by F. Lippi 102
The binding media of the polychromy of Qin Shihuang's Terracotta Army 102
Ancient restorations at Hierapolis of Phrygia (Denizli, Turkey): Interdisciplinary research on materials and technologies 101
“Urban pollution and oxalate film formation on white marble of Pisa (Italy)” 100
The role of indoor environmental pollutants in the degradation of natural resins 99
Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample 99
A simple and reliable methodology to detect egg white in art samples 99
Analysis of the binding of commercial stains to protein materials used in artworks 99
The characterisation of the organic binders 96
Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples 96
Analytical pyrolysis to gain insights into the protein structure. The case of ovalbumin 96
Thermal Degradation Behavior of a Nearly Alternating Copolymer of Vinylidene Cyanide with 2,2,2-Trifluoroethyl Methacrylate 95
The role of organic and inorganic indoor pollutants in museum environments in the degradation of dammar varnish 95
Analytical investigation of calcium oxalate films on marble monuments 93
Gaseous Pollutants inside Microclimate Frames: Results from the PROPAINT Project 92
Identification of garlic in old gildings by Gas Chromatography- Mass Spectrometry 90
Organic paint materials and their characterization by GC-MS analytical procedures” 89
Characterization of the interactions between proteinaceous binders and inorganic pigments in paint reconstructions 88
Characterisation of natural indigo and shellfish purple by mass spectrometric techniques 88
Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings 87
Characterisation of preparation layers in nine Danish Golden Age canvas paintings by SEM-EDX, FTIR and GC-MS 87
GC-MS Characterization of plant gums in samples from painted works of art 85
Oxalate films and red stains on Carrara marble 84
Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa Italy) 83
Determinazione dei materiali organici tramite Py/Silanizzazione-GC-MS 83
Disclosing the chemistry of oil curing by mass spectrometry using methyl linoleate as a model binder   81
Gas cromatography mass spectrometry /GC/MS) and pyrolysis GC/MS 80
Characterisation of oriental lacquers from Rhus Succedanea and Melanorrhoea Usitata using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 80
null 79
Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay 77
The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media 76
A multi-analytical characterization of artists’ carbon-based black pigments 76
Scientific investigation into the water sensitivity of twentieth century oil paints 75
The constituents of the ink from a Qumran inkwell: new prospects for provenancing the ink on the Dead Sea Scrolls 74
The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry 71
La caratterizzazione dei coloranti organici e medium pittorici 69
Study on the interactions between proteins and inorganic pigments in paints 68
Interaction between proteins and inorganic pigments in paint layers: a chemical physical study 68
The importance of the scientific support to the preservation of cultural heritage: 2- The characterisation of paint binders 66
Caratterizzazione e studio del processo di degradazione di leganti pittorici 65
The influence of metal stearates on the water sensitivity of modern oil paints. In Conservation of Modern Oil Paintings 64
DIAGNOSTICA MEDIANTE METODOLOGIE INTEGRATE DEL CICLO PITTORICO “STORIE DI TEODOLINDA” NELLA CAPPELLA DI TEODOLINDA DEL DUOMO DI MONZA 63
Painting on polyurethane foam:“Composizione-Superficie Lunare” by Giulio Turcato 63
Challenges in the data analysis of Asian lacquers from museum objects by pyrolysis gas chromatography/mass spectrometry 62
A multi-analytical approach to studying binding media in oil paintings Characterisation of differently pre-treated linseed oil by DE-MS, TG and GC/MS 61
Totale 11.571
Categoria #
all - tutte 34.603
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 34.603


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2019/20201.471 0 0 0 143 175 213 207 140 190 156 185 62
2020/20211.392 83 47 58 49 94 99 166 103 247 113 148 185
2021/20221.502 53 82 56 88 254 201 35 65 76 41 126 425
2022/20231.850 216 188 120 213 201 233 32 131 342 25 112 37
2023/20241.632 166 190 192 114 243 273 40 127 32 40 65 150
2024/2025397 35 178 133 51 0 0 0 0 0 0 0 0
Totale 13.022