CINECA IRIS Institutional Research Information System

BONADUCE, ILARIA
 Distribuzione geografica
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Continente #
NA - Nord America 7.436
EU - Europa 4.435
AS - Asia 1.808
AF - Africa 148
SA - Sud America 59
OC - Oceania 17
Continente sconosciuto - Info sul continente non disponibili 2
Totale 13.905
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Nazione #
US - Stati Uniti d'America 7.217
IT - Italia 2.394
CN - Cina 923
SE - Svezia 466
SG - Singapore 344
BG - Bulgaria 323
DE - Germania 319
CA - Canada 203
TR - Turchia 180
GB - Regno Unito 152
VN - Vietnam 130
FR - Francia 124
UA - Ucraina 122
FI - Finlandia 102
IN - India 93
RU - Federazione Russa 82
CI - Costa d'Avorio 73
CH - Svizzera 64
ES - Italia 54
HK - Hong Kong 41
BR - Brasile 37
SN - Senegal 37
EE - Estonia 33
CZ - Repubblica Ceca 32
NL - Olanda 29
IR - Iran 27
BE - Belgio 25
NG - Nigeria 25
JP - Giappone 17
NO - Norvegia 16
GR - Grecia 15
AR - Argentina 12
AU - Australia 12
MT - Malta 12
PL - Polonia 12
PT - Portogallo 12
KR - Corea 11
MX - Messico 10
IE - Irlanda 9
MY - Malesia 7
VA - Santa Sede (Città del Vaticano) 7
AT - Austria 6
DK - Danimarca 6
LK - Sri Lanka 6
ID - Indonesia 5
NZ - Nuova Zelanda 5
PH - Filippine 5
PK - Pakistan 5
RO - Romania 5
TW - Taiwan 4
BJ - Benin 3
CO - Colombia 3
HU - Ungheria 3
MQ - Martinica 3
PE - Perù 3
RE - Reunion 3
AD - Andorra 2
AF - Afghanistan, Repubblica islamica di 2
CL - Cile 2
CY - Cipro 2
EG - Egitto 2
HR - Croazia 2
LT - Lituania 2
MA - Marocco 2
SK - Slovacchia (Repubblica Slovacca) 2
A1 - Anonimo 1
AM - Armenia 1
AO - Angola 1
DO - Repubblica Dominicana 1
EC - Ecuador 1
EU - Europa 1
IL - Israele 1
IQ - Iraq 1
IS - Islanda 1
JM - Giamaica 1
LA - Repubblica Popolare Democratica del Laos 1
LU - Lussemburgo 1
MD - Moldavia 1
OM - Oman 1
SV - El Salvador 1
TH - Thailandia 1
TN - Tunisia 1
VE - Venezuela 1
ZA - Sudafrica 1
Totale 13.905
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Città #
Serra 1.136
Woodbridge 912
Fairfield 664
Houston 563
Chandler 549
Ann Arbor 519
Santa Clara 516
Ashburn 427
Milan 370
Sofia 323
Seattle 283
Wilmington 270
Shanghai 265
Cambridge 241
New York 221
Singapore 206
Beijing 200
Jacksonville 178
Ottawa 174
Boardman 155
Princeton 144
Lawrence 118
Izmir 114
Nanjing 97
Medford 90
Abidjan 73
Dong Ket 70
Bremen 65
Florence 60
Rome 60
Des Moines 59
Dearborn 52
Istanbul 52
Bern 50
Redwood City 43
Marseille 38
Dakar 37
Nanchang 37
Ogden 36
San Diego 35
Shenyang 35
Tallinn 32
Jüchen 31
Frankfurt am Main 30
Pisa 29
Pune 29
Boulder 28
Hong Kong 28
Hebei 26
Los Angeles 26
Tianjin 26
Lagos 25
Lancaster 23
Livorno 22
Brussels 20
Kunming 20
London 19
Paris 19
Canegrate 17
Jiaxing 17
San Francisco 17
Hefei 15
Jinan 15
Berlin 14
Dallas 14
Falls Church 14
Parma 14
San Mateo 14
Madrid 13
Trondheim 13
Verona 13
Augusta 12
Changsha 12
Hangzhou 12
Hyderabad 12
Perugia 12
Viareggio 12
Toronto 11
Washington 11
Ardabil 10
Düsseldorf 10
Orange 10
Padova 10
Auburn Hills 9
Detroit 9
Leawood 9
Norwalk 9
Phoenix 9
Venezia 9
Warsaw 9
Zurich 9
Bologna 8
Guangzhou 8
Wuhan 8
Bari 7
Fuzhou 7
Helsinki 7
Monmouth Junction 7
Shenzhen 7
Xi'an 7
Totale 10.432
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Nome #
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech) 275
Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art 267
Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples 217
GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media 213
The developement of a new analytical model for the identification of saccharide binders in paint samples 207
Analysis of plant gums and saccharide materials in paint samples: Comparison of GC-MS analytical procedures and databases 200
Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects 190
Characterisation of natural organic materials in paintings by GC/MS analytical procedures 185
Analytical pyrolysis of proteins in samples from artistic and archaeological objects 185
Mass spectrometric techniques for characterizing low-molecular-weight resins used as paint varnishes 184
Development of a GC/MS method for the qualitative and quantitative analysis of mixtures of free fatty acids and metal soaps in paint samples 180
Mass Spectrometric and Synchrotron Radiation Based Techniques for the Identification and Distribution of Painting Materials in Samples From Paints of Josep Maria Sert 176
Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions 176
An integrated mass spectrometric and molecular imaging analytical approach to identify and localise constituents in paintings applied to gilded multilayer structures from 14th to 16th C works of art 175
Characterisation of natural substances in ancient polychromies 174
Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions 171
Identification of proteinaceous binders in paintings: A targeted proteomic approach for cultural heritage 168
Circularly polarized luminescence reveals interaction between commercial stains and protein matrices used in paintings 165
Characterization and identification of urushi using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 162
Py-GC/MS of organic paint binders 160
Saving the medieval paintings by the Master Painter of the Triumph of Death in Pisa 158
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 154
A combined GC-MS analytical procedure for the characterisation of glycerolipid, waxy, resinous and proteinaceous materials in a unique paint micro-sample 150
A first insight into the Asian clay sculptures painting technique and materials: Western and Eastern Buddhas of the Bamiyan valley (Afghanistan) and sculptures from Shuilu’an (Shaanxi Province, China) 150
Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry 150
Terpenoid Oligomers of Dammar Resin 147
Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science 146
An investigation into the curing of urushi and tung oil films by thermoanalytical and mass spectrometric techniques 142
Evolved Gas Analysis-Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings 142
Analysis of the binding of commercial stains to protein materials used in artworks 141
Analytical pyrolysis of ovalbumin 141
Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions 139
La caratterizzazione dei coloranti organici e dei leganti pittorici 135
Conservation Issues of Modern Oil Paintings: A Molecular Model on Paint Curing 135
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 132
Memori Project: Evaluation of Damage to Exposed Organic-Based Heritage Materials and Nanoforart: Evaluation of Nanoparticle-based Conservation Treatment 131
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 130
The binding media of the polychromy of Qin Shihuang’s Terracotta Army” Journal of Cultural Heritage 129
Analytical strategies for characterising organic paint media using GC-MS 124
GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan) 124
A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints 123
Gas Chromatography/Mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa (Italy) 120
Characterization of organic media in the wall-paintings of the "Palace of Nestor" at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age 118
The binding media of the polychromy of Qin Shihuang's Terracotta Army 117
On the influence of relative humidity on the oxidation and hydrolysis of fresh and aged oil paints 116
New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study 115
The degradation of Burmese lacquer (thitsi) as observed in samples from two cultural artefacts 115
Indagini analitiche sul Sarcofago delle Amazzoni 114
Ancient restorations at Hierapolis of Phrygia (Denizli, Turkey): Interdisciplinary research on materials and technologies 114
Una storia complicata: gli affreschi del Camposanto Monumentale di Pisa 113
Physico-chemical characterization of protein-pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar 113
A diagnosis of the yellowing of the marble high reliefs and the black decorations in the chapel of the tomb of Saint Anthony (Padua, Italy) 113
A novel HPLC-ESI-Q-ToF approach for the determination of fatty acids and acylglycerols in food samples 113
Biotechnology applied to cultural heritage: biorestoration of frescoes using viable bacterial cells and enzymes 113
Advanced analytical investigation on degradation markers in wall paintings 112
Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from Paints of Josep Maria Sert 112
The role of the polymeric network in the water sensitivity of modern oil paints 112
Diagnostica mediante metodologie integrate del ciclo pittorico Storia di Teodolinda nella Cappella di Teodolinda del Duomo di Monza 111
Chemical imaging techniques for the characterisation of materials and techniques in the art of gilding: a case study from a mural by F. Lippi 110
“Urban pollution and oxalate film formation on white marble of Pisa (Italy)” 107
The role of indoor environmental pollutants in the degradation of natural resins 107
A simple and reliable methodology to detect egg white in art samples 107
Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample 106
Thermal Degradation Behavior of a Nearly Alternating Copolymer of Vinylidene Cyanide with 2,2,2-Trifluoroethyl Methacrylate 105
Analytical pyrolysis to gain insights into the protein structure. The case of ovalbumin 105
The characterisation of the organic binders 103
Deglycosylation Step to Improve the Identification of Egg Proteins in Art Samples 103
Characterisation of natural indigo and shellfish purple by mass spectrometric techniques 102
The role of organic and inorganic indoor pollutants in museum environments in the degradation of dammar varnish 102
Analytical investigation of calcium oxalate films on marble monuments 101
Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings 99
Organic paint materials and their characterization by GC-MS analytical procedures” 98
Gaseous Pollutants inside Microclimate Frames: Results from the PROPAINT Project 98
Identification of garlic in old gildings by Gas Chromatography- Mass Spectrometry 98
Characterization of the interactions between proteinaceous binders and inorganic pigments in paint reconstructions 96
Characterisation of preparation layers in nine Danish Golden Age canvas paintings by SEM-EDX, FTIR and GC-MS 95
Disclosing the chemistry of oil curing by mass spectrometry using methyl linoleate as a model binder   95
Molecular pattern recognition of fresh and aged shellac 94
GC-MS Characterization of plant gums in samples from painted works of art 92
Oxalate films and red stains on Carrara marble 91
Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Monumental Cemetery of Pisa Italy) 90
Determinazione dei materiali organici tramite Py/Silanizzazione-GC-MS 90
Gas cromatography mass spectrometry /GC/MS) and pyrolysis GC/MS 88
Characterisation of oriental lacquers from Rhus Succedanea and Melanorrhoea Usitata using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 88
A multi-analytical characterization of artists’ carbon-based black pigments 86
The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media 85
Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay 84
The constituents of the ink from a Qumran inkwell: new prospects for provenancing the ink on the Dead Sea Scrolls 84
The characterisation of shellac resin by flow injection and liquid chromatography coupled with electrospray ionisation and mass spectrometry 83
Scientific investigation into the water sensitivity of twentieth century oil paints 82
null 79
Painting on polyurethane foam:“Composizione-Superficie Lunare” by Giulio Turcato 77
Interaction between proteins and inorganic pigments in paint layers: a chemical physical study 76
La caratterizzazione dei coloranti organici e medium pittorici 75
Study on the interactions between proteins and inorganic pigments in paints 75
The influence of metal stearates on the water sensitivity of modern oil paints. In Conservation of Modern Oil Paintings 75
The importance of the scientific support to the preservation of cultural heritage: 2- The characterisation of paint binders 73
A multi-analytical approach to studying binding media in oil paintings Characterisation of differently pre-treated linseed oil by DE-MS, TG and GC/MS 73
DIAGNOSTICA MEDIANTE METODOLOGIE INTEGRATE DEL CICLO PITTORICO “STORIE DI TEODOLINDA” NELLA CAPPELLA DI TEODOLINDA DEL DUOMO DI MONZA 71
Caratterizzazione e studio del processo di degradazione di leganti pittorici 71
Totale 12.513
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Categoria #
all - tutte 38.053
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 38.053
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Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2019/2020940 0 0 0 0 0 0 207 140 190 156 185 62
2020/20211.392 83 47 58 49 94 99 166 103 247 113 148 185
2021/20221.502 53 82 56 88 254 201 35 65 76 41 126 425
2022/20231.850 216 188 120 213 201 233 32 131 342 25 112 37
2023/20241.632 166 190 192 114 243 273 40 127 32 40 65 150
2024/20251.593 35 178 133 272 377 441 157 0 0 0 0 0
Totale 14.218