CAPUTO, NICOLETTA
 Distribuzione geografica
Continente #
NA - Nord America 3.508
EU - Europa 2.963
AS - Asia 2.298
SA - Sud America 356
AF - Africa 65
OC - Oceania 45
Continente sconosciuto - Info sul continente non disponibili 4
Totale 9.239
Nazione #
US - Stati Uniti d'America 3.321
IT - Italia 1.700
CN - Cina 733
SG - Singapore 545
HK - Hong Kong 376
SE - Svezia 372
BR - Brasile 285
BG - Bulgaria 152
GB - Regno Unito 133
CA - Canada 126
UA - Ucraina 125
DE - Germania 123
TR - Turchia 119
VN - Vietnam 108
IN - India 101
KR - Corea 92
RU - Federazione Russa 74
CH - Svizzera 59
FI - Finlandia 50
BD - Bangladesh 47
AU - Australia 37
NL - Olanda 37
FR - Francia 34
JP - Giappone 27
IQ - Iraq 26
SA - Arabia Saudita 25
ES - Italia 23
MX - Messico 19
AR - Argentina 18
ZA - Sudafrica 18
BE - Belgio 17
VE - Venezuela 15
RO - Romania 12
UZ - Uzbekistan 12
PK - Pakistan 11
TT - Trinidad e Tobago 11
CO - Colombia 10
NP - Nepal 10
PL - Polonia 10
KE - Kenya 9
AE - Emirati Arabi Uniti 8
IE - Irlanda 8
IR - Iran 8
JM - Giamaica 8
NZ - Nuova Zelanda 8
ID - Indonesia 7
MA - Marocco 7
PY - Paraguay 7
CL - Cile 6
DZ - Algeria 6
EC - Ecuador 6
PH - Filippine 6
AT - Austria 5
KW - Kuwait 5
PA - Panama 5
AO - Angola 4
BB - Barbados 4
EG - Egitto 4
GR - Grecia 4
PE - Perù 4
PS - Palestinian Territory 4
PT - Portogallo 4
RS - Serbia 4
BJ - Benin 3
BO - Bolivia 3
BS - Bahamas 3
CI - Costa d'Avorio 3
HU - Ungheria 3
JO - Giordania 3
KZ - Kazakistan 3
LB - Libano 3
AL - Albania 2
AZ - Azerbaigian 2
BZ - Belize 2
CR - Costa Rica 2
CZ - Repubblica Ceca 2
ET - Etiopia 2
EU - Europa 2
IL - Israele 2
LA - Repubblica Popolare Democratica del Laos 2
LT - Lituania 2
MY - Malesia 2
NG - Nigeria 2
OM - Oman 2
PR - Porto Rico 2
SN - Senegal 2
SY - Repubblica araba siriana 2
TN - Tunisia 2
UY - Uruguay 2
XK - ???statistics.table.value.countryCode.XK??? 2
BA - Bosnia-Erzegovina 1
BH - Bahrain 1
BM - Bermuda 1
BY - Bielorussia 1
CM - Camerun 1
DK - Danimarca 1
DM - Dominica 1
GD - Grenada 1
GE - Georgia 1
HN - Honduras 1
Totale 9.226
Città #
Hong Kong 370
Ann Arbor 335
Milan 331
Ashburn 310
Woodbridge 296
Singapore 271
Santa Clara 251
Chandler 248
Houston 222
Jacksonville 163
Sofia 152
Shanghai 133
Beijing 130
Hefei 120
Dallas 106
New York 100
Seoul 88
Ottawa 87
Lucca 85
Rome 78
Los Angeles 77
Princeton 71
Fairfield 70
Boardman 66
Izmir 65
Lawrence 57
Florence 56
Nanjing 53
Bern 52
Wilmington 52
Serra 51
Medford 43
Redwood City 42
Pisa 41
Dong Ket 37
Genova 37
Council Bluffs 36
Istanbul 36
Livorno 35
Jüchen 33
Nanchang 31
Des Moines 30
Seattle 30
Pistoia 23
Buffalo 21
Cambridge 21
Chicago 21
Dearborn 21
Bologna 19
Naples 19
São Paulo 19
Boulder 18
Tokyo 18
Genoa 17
Alessandria 16
Ogden 16
Pune 16
London 15
Brussels 14
Changsha 14
Hebei 14
Kunming 14
Dhaka 13
Shenyang 13
Hangzhou 12
Hanoi 12
San Jose 12
Carrara 11
Castel Maggiore 11
Perugia 11
Redondo Beach 11
Rio de Janeiro 11
San Giuliano Terme 11
Toronto 11
Capannori 10
Guangzhou 10
Altopascio 9
Calci 9
Johannesburg 9
Kathmandu 9
Riyadh 9
Sydney 9
Tashkent 9
Wuhan 9
Baghdad 8
Brooklyn 8
Chengdu 8
Chennai 8
Düsseldorf 8
Frankfurt am Main 8
Massarosa 8
Montecatini Terme 8
Mumbai 8
Norwalk 8
San Diego 8
Viareggio 8
Warsaw 8
Auburn Hills 7
Bari 7
Belo Horizonte 7
Totale 5.669
Nome #
‘I can add colours to the chameleon’: King Richard III’s Metamorphic History 270
‘Playing with Power’: gli interludi Tudor e i percorsi della Riforma 236
Angela Carter’s 'The Passion of New Eve' (1977): Sexual Transmutation as Psycho-physical Exile 226
'Beware of Rome': The Italian Villainous Priest in Tudor Drama 225
Looking for Richard III in Romantic Times: Thomas Bridgman’s and William Charles Macready’s Abortive Stage Adaptations 212
"Il Riccardo III Arlecchino di Edmund Kean" 205
null 198
The Compendium of Renaissance Drama 197
“Storia/e al femminile: ‘Writing as Re-vision’” 192
Figli e...padri 'prodighi' in William Shakespeare 191
The Defence of Religious Orthodoxy in John Heywood’s The Pardoner and the Frere 183
Entertainers 'on the Vagabond Fringe': Jugglers in Tudor and Stuart England 179
David M Bevington. “Tudor Drama and Polemics under Queen Mary”, Renaissance Drama 9 (1966): 105-24 174
Collaborazione alla sezione “Renaissance and Early Modern", in Routledge ABES (Routledge Annotated Bibliography of English Studies) 173
Charles Frederick Tucker Brooke. The Tudor Drama: A History of English National Drama to the Retirement of Shakespeare. Hamden, CT, e Londra: Archon Books, 1964 [1911] 171
Bernard Spivack. Shakespeare and the Allegory of Evil: The History of a Metaphor in Relation to His Major Villains. New York: Columbia University Press, 1958 171
"Angela Carter" 171
Edmund Kean or ‘the Romantic Actor’ 166
'New Wine in Old Bottles'. Il bricolage intellettuale di Angela Carter in "Nights al the Circus" 166
Frederick S. Boas. University Drama in the Tudor Age. New York: Benjamin Blom, 1966 [1914] 165
“Tudor Drama 1485-1576: Morality Plays, Interludes”, in ABES (Annotated Bibliography for English Studies) 157
A ‘Deformed’ Christianity: Ethical Transubstantiation in English Reformation Plays 156
Le grandi Viola del Settecento 150
N. Sanders, R. Southern, T.W. Craik e L. Potter, a cura di. The Revels History of Drama in English, vol. II, 1500-1576. Londra e New York: Methuen, 1980 149
La figura del ‘Vice’ negli Interludi Tudor e la percezione carnevalesca del mondo 147
Thomas Deloney. The Gentle Craft (a cura di Simon Barker). Aldershot: Ashgate, 2007 145
British Actors in Exile: The America of George Frederick Cooke and Edmund Kean 145
"I predecessori di Shakespeare" 143
John Dennis, L’utilità del teatro [...] in occasione di un libro recente, scritto da Jeremy Collier (1698) 142
“Performing the Passions: David Garrick and Edmund Kean in King Richard The Third” 141
"L'etica della forma: strategie di straniamento in 'Other People: A Mystery Story' (1981) e 'Time's Arrow' di Martin Amis" 138
“‘Which play was of a king how he should rule his realm’: Tudor Interludes Advising the Ruler” 136
"Oltre i confini di genere: problematiche testuali e sessuali in 'Nights at the Circus' (1984) di Angela Carter 135
“‘Taking Sides with the Princess’: Sarah Green’s 'Private History of the Court of England' (1808) between Scandal Fiction and Historical Novel” 133
“Nicholas Udall” 132
“Angela Carter e il realismo magico: il caso di Nights at the Circus” 130
'The Farcical Tragedies of King Richard III': The Nineteenth-Century Burlesques 130
Recensione di "Memoria, malinconia e autobiografia dello spirito: Dionys Fitzherbert e Hannah Allen", a cura di Lisanna Calvi 129
Con occhi britannici. Mary Shelley, Felicia Hemans e i moti rivoluzionari italiani del 1820-21 125
‘Her-story’: la Storia (ri)scritta dalle donne nel teatro inglese contemporaneo 125
S. Ouditt, (a cura di), Displaced Persons: Conditions of Exile in European Culture (Aldershot: Ashgate, 2002) 122
null 121
The Infernal Desire Machines of Doctor Hoffman (1972) di Angela Carter: nel regno della fantascienza, la minaccia dell'immaginario 118
Enciclopedie e dizionari americani e inglesi in linea 117
“John Bale” 117
"Figli e...padri 'prodighi' in William Shakespeare" 116
“John Heywood” 114
Kent Cartwright, Theatre and Humanism: English Drama in the Sixteenth Century (Cambridge: Cambridge University Press, 1999) 113
"La prosa del '500" 107
Individual and Collective Memory in Shakespeare’s First Tetralogy, Between Myth and National Identity 104
'All you that be young, whom I do now represent’: Doctrine, Deception and Discontent in 'Lusty Juventus' 102
'Spoofing Celebrities': Shakespearean Parodies of Edmund Kean 101
"Theatrical Periodicals and the Ethics of Theatre in the Romantic Age" 101
Melodrama Gets to the Heart of Shakespeare: The “Ogreish” King Richard III of George Frederick Cooke 100
La transnazionalità letteraria di Perkin Warbeck. Un eroe 'romantico'? 98
"Like the formal Vice, Iniquity". Riccardo III tra Shakespeare e Cibber 95
null 94
null 92
null 87
Janette Dillon. “Clerkenwell and Smithfield as a Neglected Home of London Theater”. Huntington Library Quarterly 71 (2008) 86
'The most civilized district of Italy': Mary Shelley’s Tuscan Tales Between History, Literary Echoes and Politics 83
Greg Walker, The Politics of Performance in Early Renaissance Drama (Cambridge: Cambridge University Press, 1998) 74
'A Marketplace Prince': The Hybridity of the Character of King Richard III and Its Popular Roots in the VIce 68
"Anne Tyler’s 'Vinegar Girl': Shakespeare’s 'Taming of the Shrew' with no 'Shrew' and no 'Taming'" 67
'Blossoms and flowers, in laughing plenty': La Toscana nella narrativa di Mary Shelley 63
“'In Tuscan fields, the winds in odours steeped': Mary Shelley’s Tuscany" 60
null 57
Richard III as a Romantic Icon: Textual, Cultural and Theatrical Appropriations 56
null 53
"'The Liberal'... e oltre: il liberalismo al femminile di Mary Shelley" 50
null 42
Diego Saglia, "Modernità del Romanticismo. Scrittura e cambiamento nella letteratura britannica 1780-1830" 29
"Contaminating Shakespeare on the Victorian Stage: Burlesque, Pantomime, and ‘Legitimate’ Acting" 27
Totale 9.493
Categoria #
all - tutte 22.591
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 22.591


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2020/2021373 0 0 0 0 0 31 73 41 64 45 8 111
2021/2022778 13 41 12 44 149 105 10 37 50 39 59 219
2022/2023949 128 142 69 59 99 160 22 85 107 11 43 24
2023/20241.071 122 133 149 101 149 126 26 20 30 37 44 134
2024/20252.412 35 87 61 102 184 193 184 113 186 241 281 745
2025/20261.204 150 295 160 204 216 179 0 0 0 0 0 0
Totale 9.493