CINECA IRIS Institutional Research Information System

COLOMBINI, MARIA PERLA
 Distribuzione geografica
Salva come PNG Salva come JPEG
Continente #
NA - Nord America 30.326
AS - Asia 13.956
EU - Europa 13.365
SA - Sud America 1.833
AF - Africa 633
OC - Oceania 71
Continente sconosciuto - Info sul continente non disponibili 12
Totale 60.196
Salva come PNG Salva come JPEG
Nazione #
US - Stati Uniti d'America 29.470
IT - Italia 5.963
SG - Singapore 4.225
CN - Cina 3.943
HK - Hong Kong 2.375
BR - Brasile 1.469
SE - Svezia 1.452
DE - Germania 1.130
VN - Vietnam 1.043
BG - Bulgaria 994
CA - Canada 704
TR - Turchia 690
FR - Francia 683
GB - Regno Unito 642
UA - Ucraina 531
RU - Federazione Russa 483
FI - Finlandia 435
IN - India 366
KR - Corea 357
CH - Svizzera 248
JP - Giappone 225
CI - Costa d'Avorio 200
ES - Italia 138
AR - Argentina 118
SN - Senegal 115
NG - Nigeria 106
BD - Bangladesh 105
IQ - Iraq 96
NL - Olanda 92
BE - Belgio 88
MX - Messico 85
EC - Ecuador 60
PL - Polonia 60
AU - Australia 57
SA - Arabia Saudita 53
ID - Indonesia 52
ZA - Sudafrica 52
AT - Austria 51
IR - Iran 48
IE - Irlanda 46
VE - Venezuela 46
PK - Pakistan 45
EE - Estonia 43
GR - Grecia 42
MA - Marocco 41
MY - Malesia 41
CO - Colombia 39
CZ - Repubblica Ceca 38
EG - Egitto 34
PT - Portogallo 34
PH - Filippine 32
PE - Perù 29
RO - Romania 28
JO - Giordania 27
UZ - Uzbekistan 27
IL - Israele 22
KE - Kenya 22
AE - Emirati Arabi Uniti 21
CL - Cile 21
UY - Uruguay 21
OM - Oman 20
TW - Taiwan 20
JM - Giamaica 18
MT - Malta 18
NO - Norvegia 16
NP - Nepal 16
PY - Paraguay 16
BJ - Benin 14
DK - Danimarca 14
DZ - Algeria 14
HU - Ungheria 14
TN - Tunisia 14
LT - Lituania 13
NZ - Nuova Zelanda 12
EU - Europa 10
HR - Croazia 10
LB - Libano 10
PS - Palestinian Territory 10
RS - Serbia 10
TH - Thailandia 10
AL - Albania 9
BO - Bolivia 9
DO - Repubblica Dominicana 9
QA - Qatar 9
TT - Trinidad e Tobago 9
AM - Armenia 8
KZ - Kazakistan 8
AZ - Azerbaigian 7
HN - Honduras 7
SK - Slovacchia (Repubblica Slovacca) 7
BB - Barbados 6
GE - Georgia 6
SI - Slovenia 6
BH - Bahrain 5
BN - Brunei Darussalam 5
KW - Kuwait 5
LV - Lettonia 5
PA - Panama 5
VA - Santa Sede (Città del Vaticano) 5
AD - Andorra 4
Totale 60.116
Salva come PNG Salva come JPEG
Città #
Woodbridge 3.405
Ashburn 2.699
Singapore 2.357
Ann Arbor 2.326
Hong Kong 2.318
Fairfield 2.300
Serra 2.050
Houston 2.028
Chandler 1.653
San Jose 1.526
Santa Clara 1.319
Milan 1.280
Sofia 992
Seattle 938
Dallas 912
Wilmington 848
Shanghai 807
Beijing 797
Cambridge 790
Jacksonville 713
New York 624
Ottawa 601
Boardman 457
Princeton 436
Izmir 426
Nanjing 384
Hefei 381
Lawrence 380
Los Angeles 348
Lauterbourg 336
Seoul 320
Medford 289
Dong Ket 240
Rome 235
Des Moines 222
Bern 213
Ho Chi Minh City 206
Tokyo 202
Abidjan 200
Istanbul 193
Florence 187
Dearborn 186
Council Bluffs 171
Buffalo 162
Redwood City 148
Hanoi 145
Frankfurt am Main 136
Nanchang 135
Redondo Beach 129
Jüchen 126
Dakar 114
San Diego 111
Boulder 105
Lagos 103
Bremen 99
Munich 98
Shenyang 98
São Paulo 98
The Dalles 97
Columbus 93
Pisa 85
Marseille 84
Kunming 76
Ogden 76
Tianjin 75
Hebei 69
Changsha 66
London 64
Brussels 60
Orem 60
Chicago 59
Pune 57
Hangzhou 56
Lancaster 54
Helsinki 50
Falls Church 48
San Francisco 48
Auburn Hills 45
Paris 45
Belo Horizonte 44
Guangzhou 44
Livorno 44
Jiaxing 42
Rio de Janeiro 42
Norwalk 40
Phoenix 40
Washington 37
San Mateo 36
Warsaw 36
Vienna 35
Amsterdam 33
Chennai 33
Jinan 33
Verona 33
Da Nang 32
Lucca 31
Tallinn 31
Augusta 30
Turku 30
Nuremberg 29
Totale 43.224
Salva come PNG Salva come JPEG
Nome #
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech) 351
Laser cleaning of works of art: evaluation of the thermal stress induced by Er:YAG laser 337
Keith Haring and the city of the Leaning Tower: preservation of the mural "Tuttomondo" 320
Characterisation of natural substances in ancient polychromies 304
Gas chromatographic-mass spectrometric characterisation of plant gums in samples from painted works of art 303
Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation 296
null 285
Pre-Inca funerary rituals in the necropolis of Ancòn (Lima, Peru): archaeometric investigations 281
Analytical Instrumental Techniques to Study Archaeological Wood Degradation 276
Development of a multi-analytical approach to investigate the fading of eosin in painting matrices 274
Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco) 268
A Matrix-Assisted Laser Desorption/Ionization Time-of-Flight Mass Spectrometry Method for the Identification of Anthraquinones: the Case of Historical Lakes 261
A multi analytical approach to determine madder lake in a funerary clay vessel found in a chamber tomb in Taranto, Italy 258
Py-GC/MS characterization of a wild and a selected clone of Arundo donax, and of its residues after catalytic hydrothermal conversion to high added-value products 258
The developement of a new analytical model for the identification of saccharide binders in paint samples 252
Chemical characterisation of the whole plant cell wall of archaeological wood: an integrated approach 252
GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media 249
I materiali e la tecnica pittorica utilizzati nella decorazione del Sarcofago delle Amazzoni 241
Analysis of plant gums and saccharide materials in paint samples: Comparison of GC-MS analytical procedures and databases 232
A chemical study of organic materials in three murals by Keith Haring: A comparison of painting techniques 232
Border Cave and the beginning of the Later Stone Age in South Africa 231
Characterisation of natural organic materials in paintings by GC/MS analytical procedures 231
Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions 230
A critical evaluation of the degradation state of dry archaeological wood from Egypt by SEM, ATR-FTIR, wet chemical analysis and Py(HMDS)-GC-MS 228
Mass spectrometric techniques for characterizing low-molecular-weight resins used as paint varnishes 226
Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions 226
GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences 225
Timing in Analytical Pyrolysis: Py(HMDS)-GC/MS of Glucose and Cellulose Using Online Micro Reaction Sampler 225
ORIENTATION IN NUCLEOPHILIC-SUBSTITUTION AT CYCLOHEPTATRIENONE NUCLEUS - FAILURE OF PREDICTIONS FROM EITHER ELECTRON-SPIN RESONANCE DATA OR MOLECULAR-ORBITAL TREATMENTS 221
Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects 221
Analytical methods for the characterization of organic dyes in artworks and in historical textiles 219
Terpenoid Oligomers of Dammar Resin 216
A GC-MS study on the deterioration of lipidic paint binders 215
Saving the medieval paintings by the Master Painter of the Triumph of Death in Pisa 215
P-31-NMR SPECTROSCOPY OF A TRANSPLANTABLE RAT ISLET CELL TUMOR - DETERMINATION OF METABOLITES AND INTRACELLULAR PH 215
Alkyd paints in art: Characterization using integrated mass spectrometry 215
Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography-mass spectrometry 214
GC/MS investigations of the total lipid fraction of wool: A new approach for modelling the ageing processes induced by iron-gallic dyestuffs on historical and archaeological textiles 213
Mass Spectrometric and Synchrotron Radiation Based Techniques for the Identification and Distribution of Painting Materials in Samples From Paints of Josep Maria Sert 213
Characterization and identification of urushi using in situ pyrolysis/silylation-gas chromatography-mass spectrometry 213
GC/MS in the Characterization of Lipids 212
An integrated approach to the study of Ri de pomme, a painting by Julian Schnabel 212
Chemical analyses of extremely degraded wood using analytical pyrolysis and inductively coupled plasma atomic emission spectroscopy 212
Analysis of the binding of commercial stains to protein materials used in artworks 210
SAMPLE-PRETREATMENT PROCEDURE FOR ROUTINE LIQUID-CHROMATOGRAPHIC ASSAY OF SERUM CORTISOL 209
NEW TRENDS IN ANALYTICAL, ENVIRONMENTAL AND CULTURAL HERITAGE CHEMISTRY 207
Determination of manganese in natural waters by differential pulse polarography. 205
“Heavy metals variations in some conifers in Valle d’Aosta (Western Italian Alps) from 1930 to 2000" 205
Organic Mass Spectrometry in Art and Archaeology 205
An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto 203
Microchemical and microscopic characterization of the pictorial quality of egg-tempera polyptych, late 14th century, Florence, Italy 203
Tecniche pittoriche utilizzate nelle tombe etrusche di Chiusi e Sarteano 202
Determination of trace endocrine disruptors in ultrapure water for laboratory use by the yeast estrogen screen (YES) and chemical analysis (GC/MS) 201
Characterisation of archaeological waterlogged wood from Herculaneum by pyrolysis and mass spectrometry 201
An Etruscan ointment from Chiusi (Tuscany, Italy): its chemical characterization 200
Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science 200
The stucco decorations from St. Lorenzo in Laino (Como, Italy): the materials and the techniques employed by the "Magistri Comacini" 199
A multi-analytical approach for the characterization of powders from the Pompeii archaeological site 199
CHARGE-TRANSFER ACROSS A POLYMER GEL LIQUID INTERFACE - THE POLYVINYL CHLORIDE+NITROBENZENE GEL WATER INTERFACE 198
Industrial alkyd resins: characterization of pentaerythritol and phthalic acid esters using integrated mass spectrometry 198
Wood Coated With Plasma-Polymer For Water Repellence 197
XVI century wall paintings in the “Messer Filippo” cell of the tower of Spilamberto: Microanalyses and monitoring 196
GC-MS characterization of proteinaceous and lipid binders in UV-aged polychrome artifacts 196
An interdisciplinary approach to a knowledge-based restoration: The dark alteration on Matera Cathedral (Italy) 196
Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry 194
La Medusa by Caravaggio: characterization of the painting technique and evaluation of the state of conservation 193
Preliminary Results of the Er:YAG Laser Cleaning of Textiles, Paper and Parchment 192
“Characterization of paints and waterproofing materials of the shipwrecks found in the archaeological site of etruscan and roman harbour of Pisa (Italy)” 191
THE INFLUENCE OF THE HOST-GUEST INTERACTION ON THE OXIDATION OF NATURAL FLAVONOID DYES 191
Chemical investigation of barks from broad-leaved tree species using EGA-MS and GC/MS 190
A first insight into the Asian clay sculptures painting technique and materials: Western and Eastern Buddhas of the Bamiyan valley (Afghanistan) and sculptures from Shuilu’an (Shaanxi Province, China) 189
A new Palaeolithic discovery: tar-hafted stone tools in a European Mid-Pleistocene bone bearing bed 189
A multidisciplinary approach to the investigation of “La Caverna dell’Antimateria” (1958-1959) by Pinot Gallizio 189
A COMPARISON OF SCHEMES FOR THE ONLINE ACQUISITION OF EXPERIMENTAL-DATA 188
Chemical characterization of Egyptian amphorae from Fayum 188
Prehistoric wall paintings: the case of the Domus de Janas necropolis (Sardinia, Italy) 188
A multi-analytical approach using FTIR, GC/MS and Py-GC/MS revealed early evidence of embalming practices in Roman catacombs 188
Combined pyrolysis-based techniques to evaluate the state of preservation of archaeological wood in the presence of consolidating agents 187
Colour fading in textiles: A model study on the decomposition of natural dyes 187
A novel approach for high selective microsampling of organic painting materials by Er:YAG laser ablation 186
Chromatographic and Mass Spectrometric Investigations of Organic Residues from Roman Glass Unguentaria 186
MULTI-ANALYTICAL TECHNIQUES FOR THE STUDY OF PRE-COLUMBIAN MUMMIES AND RELATED FUNERARY MATERIALS 186
Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples 186
null 186
Analytical Pyrolysis and Mass Spectrometry to Characterise Lignin in Archaeological Wood 186
A combined GC-MS analytical procedure for the characterisation of glycerolipid, waxy, resinous and proteinaceous materials in a unique paint micro-sample 185
Reply to Evans: Use of poison remains the most parsimonious explanation for Border Cave castor bean extract 185
Archaeology: Archaeometric data from mass spectrometric analysis of organic materials: proteins, lipids, terpenoid resins, lignocellulosic polymers and dyestuff 185
Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography-mass spectrometry of proteinaceous binders in paintings 185
“A chemical approach to study the ancient harbour of Pisa San Rossore: characterization of organic materials used to finish the ships and the amphorae” 183
DE-(chemical ionisation)-mass spectrometry for a fast characterisation of raw and archaeological diterpenoid resinous substances 183
A multi-analytical approach for the characterization of commodities in a ceramic jar from Antinoe (Egypt) 183
Analytical strategies for characterising organic paint media using GC-MS 183
Characterisation of organic patinas on indoor bronze sculptures 183
Archaeological wood degradation at the site of Biskupin (Poland): Wet chemical analysis and evaluation of specific Py-GC/MS profiles 183
A multi-analytical approach to determine organic dyes in tapestries 182
La caratterizzazione dei coloranti organici e dei leganti pittorici 182
Electrochemical Properties of Three Dicarboximide-Type Pesticides : Vinclozoline, Iprodione and Procymidone 182
GC/MS and proteomics to unravel the painting history of the lost Giant Buddhas of Bāmiyān (Afghanistan) 182
The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features 182
Totale 21.516
Salva come PNG Salva come JPEG
Categoria #
all - tutte 163.135
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 163.135
Salva come PNG Salva come JPEG


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2020/2021928 0 0 0 0 0 0 0 0 0 0 364 564
2021/20224.543 152 272 141 325 776 604 98 262 161 117 445 1.190
2022/20235.118 629 491 272 524 629 710 89 383 987 56 274 74
2023/20244.574 645 576 540 364 684 724 166 167 88 95 120 405
2024/202511.217 79 487 221 648 932 1.096 905 743 1.140 1.488 1.264 2.214
2025/202611.002 685 1.488 1.172 771 1.002 1.278 1.981 604 610 1.135 276 0
Totale 60.862